CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Beckett exists in a kind of Irish Modernist Mount Rushmore beside other iconic writers like Oscar Wilde, William Butler Yeats, and James Joyce. Continue reading Translation Tuesdays: Samuel Beckett: The Complete Short Prose, 1929 – 1989, edited and with an Introduction and Notes by S. E. Gontarski
Jack Burton: I don’t get this at all. I thought Lo Pan— David Lo Pan: Shut up, Mr. Burton! You were not brought upon this world to “get it!” Big Trouble in Little China (John Carpenter, 1986) Earlier in my life, I read Dubliners, Portrait of the Artist as a Young Man, and Ulysses, all by James Joyce. This year I decided to read Finnegans Wake, a novel notorious for its inaccessibility. Like The Cantos by Ezra Pound, it is a text many know, few read, and less understand. While the Wake is difficult, this shouldn’t be seen as a … Continue reading Critic’s Notebook: The Wake without training wheels
“I’m an alpha male on beta blockers.” Continue reading TOP THREE: Finnegans Wake vs Pop Culture: NUMBER THREE: George Carlin is a Modern Man
GlassHouse is a neo-noir phantasmorgia, Faulknerian and Lynchian by turns, written by a scholar of James Joyce and the avant-garde. Continue reading GlassHouse by Louis Armand
A Critical Appraisal of The Combinations by Louis Armand. Continue reading THE COMBINATIONS WEEK DAY 2: THE COMBINATIONS REVIEW, PART II