
Critic’s Notebook: 2022 and Very Few Posts
Last year was a rough one. Continue reading Critic’s Notebook: 2022 and Very Few Posts
Last year was a rough one. Continue reading Critic’s Notebook: 2022 and Very Few Posts
Jack Burton: I don’t get this at all. I thought Lo Pan— David Lo Pan: Shut up, Mr. Burton! You were not brought upon this world to “get it!” Big Trouble in Little China (John Carpenter, 1986) Earlier in my life, I read Dubliners, Portrait of the Artist as a Young Man, and Ulysses, all by James Joyce. This year I decided to read Finnegans Wake, a novel notorious for its inaccessibility. Like The Cantos by Ezra Pound, it is a text many know, few read, and less understand. While the Wake is difficult, this shouldn’t be seen as a … Continue reading Critic’s Notebook: The Wake without training wheels
CRITIC’S NOTEBOOK: SOME THOUGHTS ON DUNE (2021) Neither a “hot take” nor a full-blown movie review, this essay is more inchoate and formless. More a chance to ruminate on the current blockbuster. Media analysis at its most impressionistic; less a … Continue reading CRITIC’S NOTEBOOK: SOME THOUGHTS ON DUNE (2021)
It’s not about me. It’s about us. Continue reading Critic’s Notebook: Gay Pride Month, Juneteenth, and July 4th
We like stuff! Yes we do!
We like stuff! How ’bout you? Continue reading Critic’s Notebook: Rave vs. Review vs. Recommendation
How do Coach House Books look and feel? Continue reading Coach House Books: Look & Feel
My first CONvergence panel of 2019. We talk about the changing role of reviews. Continue reading #CVG2019: Changing Role of Reviews
An exploration into the terminus of literary modernism. Continue reading THE COMBINATIONS WEEK DAY 3: THE COMBINATIONS REVIEW, PART III
Some initial thoughts on The Combinations by Louis Armand. Continue reading THE COMBINATIONS WEEK DAY 1: THE COMBINATIONS REVIEW, PART I
A rundown of the week’s posts. Continue reading The Combinations Week Preview