Nohow On is about nothing. But like Jerry Seinfeld said, “Even nothing is something.” Continue reading Espresso Shots: Nohow On: Company, Ill Seen Ill Said, Worstward Ho, by Samuel Beckett
Jack Burton: I don’t get this at all. I thought Lo Pan— David Lo Pan: Shut up, Mr. Burton! You were not brought upon this world to “get it!” Big Trouble in Little China (John Carpenter, 1986) Earlier in my life, I read Dubliners, Portrait of the Artist as a Young Man, and Ulysses, all by James Joyce. This year I decided to read Finnegans Wake, a novel notorious for its inaccessibility. Like The Cantos by Ezra Pound, it is a text many know, few read, and less understand. While the Wake is difficult, this shouldn’t be seen as a … Continue reading Critic’s Notebook: The Wake without training wheels
Some initial thoughts on The Combinations by Louis Armand. Continue reading THE COMBINATIONS WEEK DAY 1: THE COMBINATIONS REVIEW, PART I
Alan Moore’s “Jerusalem” is a turgid, overwritten slab of pretentiousness. Continue reading Science Fiction Week: Jerusalem by Alan Moore @ nyjb
Along with “Ulysses” and Beckett’s “Three Novels,” “H” can take its place in the permanent avant-garde. Continue reading Translation Tuesdays: H, by Philippe Sollers
For Jennifer Birkett, Emeritus Professor of French Studies at the University of Birmingham, Samuel Beckett thought “life was a matter of doing time, while writing was a way of undoing it.” Continue reading Undoing Time: The Life and Work of Samuel Beckett, by Jennifer Birkett @ NYJB
The Driftless Area Review 