How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Form follows destruction. Continue reading How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Form follows destruction. Continue reading How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Numbers is a beautifully rendered poetic artifact, a rollicking admixture of visuals and text Continue reading Wednesday Poetry Corner: Numbers, by Rachel Blau DuPlessis
The short novel shifts between comedy and horror, commentary and meta-commentary, wetware and meatspace. Continue reading Espresso Shots: 404 Error: memoir of a nobody, by RG Vasicek & Zak Ferguson
Barbie is a quest narrative. Continue reading Critic’s Notebook: Random Thoughts on the Barbie movie
Bendy words heaped into bulwarks. Continue reading Commonplace Book: 3 Random Passages from Richard Makin Novels
What Makin does in his literary projects is create meaning by both stripping down and overloading language with meaning. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Five
Yet even an anti-novel is still a novel. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part 3
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Nohow On is about nothing. But like Jerry Seinfeld said, “Even nothing is something.” Continue reading Espresso Shots: Nohow On: Company, Ill Seen Ill Said, Worstward Ho, by Samuel Beckett
Body horror collides with a kind of digital mysticism. Continue reading Espresso Shots: Desert Tiles by Mike Corrao