Espresso Shots: Morelia, by Renee Gladman
Morelia is a short, concentrated explosion of language and story, dream and sensation. Continue reading Espresso Shots: Morelia, by Renee Gladman
Morelia is a short, concentrated explosion of language and story, dream and sensation. Continue reading Espresso Shots: Morelia, by Renee Gladman
What Makin does in his literary projects is create meaning by both stripping down and overloading language with meaning. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Five
CRITIC’S NOTEBOOK: SOME THOUGHTS ON DUNE (2021) Neither a “hot take” nor a full-blown movie review, this essay is more inchoate and formless. More a chance to ruminate on the current blockbuster. Media analysis at its most impressionistic; less a … Continue reading CRITIC’S NOTEBOOK: SOME THOUGHTS ON DUNE (2021)
GlassHouse is a neo-noir phantasmorgia, Faulknerian and Lynchian by turns, written by a scholar of James Joyce and the avant-garde. Continue reading GlassHouse by Louis Armand
Barbara Mor’s new volume of poetry is angry, volcanic, and erudite. Continue reading Critical Appraisals: Nauseating Allegories of Empire: the Victory of sex & Metal by Barbara Mor
The Argument David Bowie’s recent death has closed a page on music history. On a more personal level, Bowie has been a constant in my life for decades. Beyond mere 80s nostalgia (Labyrinth) or 90s nostalgia (Lost Highway, Outside, and Earthling), Bowie has been instrumental to me personally as a taste-maker. He led me down strange avenues and provided the raw material for discovery and aesthetic experimentation. Embryo My fascinating with David Bowie began early. I can still remember the first Bowie album I bought, sometime in the Nineties. It was a CD of Tonight (1984), an album even Bowie … Continue reading Critic’s Notebook: David Bowie and the Physiology of Taste
“diatomhero: religious poems” by Lisa A. Flowers is only a little over fifty pages long, making it look and feel like a high quality magazine, some lost pagan relic turned afterlife samizdat. Continue reading diatomhero: religious poems, by Lisa A. Flowers
Karl Wolff reviews Firefly by Severo Sarduy (release date, March 2013), a writer praised by Roland Barthes, for his verbal richness and dreamlike evocation of pre-Castro Cuba. Continue reading Translation Tuesdays: Firefly, by Severo Sarduy