CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Richard Makin’s trilogy (Work, Dwelling, Mourning) represents a landmark achievement in (post)modern literature, one that avoids easy classification or explanation. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part 1
Nohow On is about nothing. But like Jerry Seinfeld said, “Even nothing is something.” Continue reading Espresso Shots: Nohow On: Company, Ill Seen Ill Said, Worstward Ho, by Samuel Beckett
Body horror collides with a kind of digital mysticism. Continue reading Espresso Shots: Desert Tiles by Mike Corrao
Ranging across the globe and excavating past and present, Colonies of Paradise by Matthias Göritz is a personal journey of self-discovery. Continue reading Translation Tuesdays: Colonies of Paradise, by Matthias Goritz @nyjb
The Freaks of Mayfair offers pleasant distraction with humane portraits of freaks, faddists, climbers, and fakers. Continue reading Forgotten Classics: The Freaks of Mayfair (1916) by E.F. Benson
Beckett exists in a kind of Irish Modernist Mount Rushmore beside other iconic writers like Oscar Wilde, William Butler Yeats, and James Joyce. Continue reading Translation Tuesdays: Samuel Beckett: The Complete Short Prose, 1929 – 1989, edited and with an Introduction and Notes by S. E. Gontarski
“Denver Noir is a fascinating exploration of this sunny city’s dark side.” Continue reading Denver Noir, by Cynthia Swanson @ nyjb
Jack Burton: I don’t get this at all. I thought Lo Pan— David Lo Pan: Shut up, Mr. Burton! You were not brought upon this world to “get it!” Big Trouble in Little China (John Carpenter, 1986) Earlier in my life, I read Dubliners, Portrait of the Artist as a Young Man, and Ulysses, all by James Joyce. This year I decided to read Finnegans Wake, a novel notorious for its inaccessibility. Like The Cantos by Ezra Pound, it is a text many know, few read, and less understand. While the Wake is difficult, this shouldn’t be seen as a … Continue reading Critic’s Notebook: The Wake without training wheels
“The Day I Die is an informative and accessible addition to the literature of death and dying. Hannig, as an anthropologist, explores the various roadblocks and challenges facing individuals who seek to die with dignity.” Continue reading The Day I Die: The Untold Story of Assisted Dying in America, by Anita Hannig @ NYJB