Critic’s Notebook: Casanova, a ballet by Kenneth Tindall
Micro-review of Midjourney: “It produces art like Thomas Kinkade on Ambien.” Continue reading Critic’s Notebook: Casanova, a ballet by Kenneth Tindall
Micro-review of Midjourney: “It produces art like Thomas Kinkade on Ambien.” Continue reading Critic’s Notebook: Casanova, a ballet by Kenneth Tindall
Like all good romances, Good Women displays the inherent decency of people. Continue reading Espresso Shots: The Good Women of Fudi, by Lui Hong
Form follows destruction. Continue reading How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Indian Winter is an exploration of the writing process, the varieties of love, and the appreciation for a place rife with beauty and sensuality. Continue reading Espresso Shots: Indian Winter, by Kazim Ali
“Bekono captures Salomé’s narrative voice. It is a voice at once tender, crass, intellectual, and rebellious, every bit as compelling as Henry Hill in Martin Scorsese’s Goodfellas.” Continue reading Translation Tuesdays: Confrontations by Simone Atangana Bekono @ NYJB
How do you short-circuit control? Continue reading Biography Mondays: Nonbinary: A Memoir, by Genesis P-Orridge
Gender Queer: A Memoir, by Maia Kobabe is a coming-of-age tale in comic book form. Continue reading Espresso Shots: Gender Queer: A Memoir, by Maia Kobabe
In four interrelated stories, Birth Canal by Dias Novita Wuri explores the torturous relations between men and women. Continue reading Translation Tuesdays: Birth Canal, by Dias Novita Wuri
Barbie is a quest narrative. Continue reading Critic’s Notebook: Random Thoughts on the Barbie movie
“Paris had Brassaï. And Berlin had Newton. But Moshe had L.A., babe.” Continue reading Photography Fridays: L.A. Babe: The Real Women of Los Angeles 1975 – 1988, by Moshe Brakha