Adventures in Intersectionality: Part 2: Personal Taste(s)
Dances with Wolves was a terrible movie. Continue reading Adventures in Intersectionality: Part 2: Personal Taste(s)
Dances with Wolves was a terrible movie. Continue reading Adventures in Intersectionality: Part 2: Personal Taste(s)
Singed can be seen as a chimera and a rhizomatic desiring-machine. Continue reading CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD, Part 3
Avant Desire is an anthology of fiction and non-fiction by and about Nicole Brossard. Brossard is an out lesbian, political radical, and creator of various literary experiments. Continue reading CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD
Form follows destruction. Continue reading How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Numbers is a beautifully rendered poetic artifact, a rollicking admixture of visuals and text Continue reading Wednesday Poetry Corner: Numbers, by Rachel Blau DuPlessis
The short novel shifts between comedy and horror, commentary and meta-commentary, wetware and meatspace. Continue reading Espresso Shots: 404 Error: memoir of a nobody, by RG Vasicek & Zak Ferguson
Barbie is a quest narrative. Continue reading Critic’s Notebook: Random Thoughts on the Barbie movie
Bendy words heaped into bulwarks. Continue reading Commonplace Book: 3 Random Passages from Richard Makin Novels
What Makin does in his literary projects is create meaning by both stripping down and overloading language with meaning. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Five
Yet even an anti-novel is still a novel. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part 3