Adventures in Intersectionality: Part 2: Personal Taste(s)
Dances with Wolves was a terrible movie. Continue reading Adventures in Intersectionality: Part 2: Personal Taste(s)
Dances with Wolves was a terrible movie. Continue reading Adventures in Intersectionality: Part 2: Personal Taste(s)
Singed can be seen as a chimera and a rhizomatic desiring-machine. Continue reading CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD, Part 3
Annihilation does provoke and offend and dazzle. Continue reading Annihilation, by Michel Houellebecq @ NYJB
Micro-review of Midjourney: “It produces art like Thomas Kinkade on Ambien.” Continue reading Critic’s Notebook: Casanova, a ballet by Kenneth Tindall
Form follows destruction. Continue reading How to Detonate the Novel: A Rough Guide to the Later Fiction of Louis Armand
Living Things is a socioeconomic critique of industrial agriculture, but can also be read as Cronenberg-style body horror. Continue reading Translation Tuesdays: Living Things, by Munir Hachemi
Like a hobo knife fight on the outskirts of a carnival during the Great Depression. Continue reading MICRO-REVIEWS: MUSIC: Tom Waits
“Bekono captures Salomé’s narrative voice. It is a voice at once tender, crass, intellectual, and rebellious, every bit as compelling as Henry Hill in Martin Scorsese’s Goodfellas.” Continue reading Translation Tuesdays: Confrontations by Simone Atangana Bekono @ NYJB
Gender Queer: A Memoir, by Maia Kobabe is a coming-of-age tale in comic book form. Continue reading Espresso Shots: Gender Queer: A Memoir, by Maia Kobabe
Numbers is a beautifully rendered poetic artifact, a rollicking admixture of visuals and text Continue reading Wednesday Poetry Corner: Numbers, by Rachel Blau DuPlessis