
CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Body horror collides with a kind of digital mysticism. Continue reading Espresso Shots: Desert Tiles by Mike Corrao
I talk with Nasser Hussain about his writing process, GIS, Oulipo, and the Canadian poetry scene. Continue reading THE NASSER HUSSAIN INTERVIEW
“Throughout these tumultuous decades, artists have sought to express themselves in harrowing circumstances. John J. Curley provides a lucid summary of the era and unique insights into famous and unknown artists.” Continue reading Global Art and the Cold War by John J. Curley @ nyjb
In John Ashbery’s final book of poetry “Images coagulate and dissolve in a kaleidoscope of language.” Continue reading Commotion of the Birds: New Poems by John Ashbery
This week I conclude my essay series American Odd by looking at Gilbert Sorrentino’s postmodern masterpiece “Pack of Lies.” Continue reading American Odd: Pack of Lies, by Gilbert Sorrentino
“Buck Studies” is “a potent cocktail of political anger and radical formal experimentation.” Continue reading Buck Studies by Douglas Kearney @ NYJB
“The past and the future are her playground, and she relays an open invitation to all who seek a daring museum experience.” Continue reading Dominique Gonzalez-Foerster 1887–2058, by Emma Lavigne @NYJB
“Gerhard Richter: Panorama” offers a means to delve into the artistic practice of an iconic figure in modern European art. Continue reading Gerhard Richter: Panorama: A Retrospective: Expanded Edition, by Mark Godfrey @ NYJB
The saga of Xanther and her cat continue in “The Familiar, Volume 2: Into the Woods,” by Mark Z. Danielewski. But questions arise when her father Anwar takes them to the vet. The vet tells Xanther that her puff of white fur isn’t a cat at all, but a dog. It isn’t just born, but very old. It also belongs to someone else. Continue reading The Familiar, Volume 2: Into the Forest, by Mark Z. Danielewski @NYJB