CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Jack Burton: I don’t get this at all. I thought Lo Pan— David Lo Pan: Shut up, Mr. Burton! You were not brought upon this world to “get it!” Big Trouble in Little China (John Carpenter, 1986) Earlier in my life, I read Dubliners, Portrait of the Artist as a Young Man, and Ulysses, all by James Joyce. This year I decided to read Finnegans Wake, a novel notorious for its inaccessibility. Like The Cantos by Ezra Pound, it is a text many know, few read, and less understand. While the Wake is difficult, this shouldn’t be seen as a … Continue reading Critic’s Notebook: The Wake without training wheels
“Does not the sheer splendubious celebretacity of this most merrilous time warm the Gaelic cockles of your potato eating heart?” Continue reading TOP THREE: Finnegans Wake vs Pop Culture: NUMBER ONE: Don King on Late Night with Conan O’Brien
“I’m an alpha male on beta blockers.” Continue reading TOP THREE: Finnegans Wake vs Pop Culture: NUMBER THREE: George Carlin is a Modern Man
This week in the CCLaP series “On Being Human,” Karl Wolff analyses Samuel Beckett’s groundbreaking “Trilogy,” where the famed avant-garde writer sought the essence of what it is to be human by stripping away the setting, plot, and characters of three small novels in a row. Continue reading CCLaP Fridays: On Being Human: The Trilogy, by Samuel Beckett