Motorcycle Mayhem Week: Part 2
The Man with No Name, but on a motorcycle … after the nuclear apocalypse. Continue reading Motorcycle Mayhem Week: Part 2
The Man with No Name, but on a motorcycle … after the nuclear apocalypse. Continue reading Motorcycle Mayhem Week: Part 2
Terminator is a cool movie. Robocop is a cool movie. Let’s make a Terminator Robocop movie! Continue reading Motorcycle Mayhem Week: Part 1
Mater 2-10, by Hwang Sok-yong, chronicles Jino’s sit-in, weaving together Korean history and Jino’s family history into a multi-generational saga. Continue reading Translation Tuesdays: Mater 2-10, by Hwang Sok-yong
Barbie is a quest narrative. Continue reading Critic’s Notebook: Random Thoughts on the Barbie movie
Bendy words heaped into bulwarks. Continue reading Commonplace Book: 3 Random Passages from Richard Makin Novels
Both Ulysses and the Wake expose the frailties and chaos of language. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part Two
Richard Makin’s trilogy (Work, Dwelling, Mourning) represents a landmark achievement in (post)modern literature, one that avoids easy classification or explanation. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part 1
Nohow On is about nothing. But like Jerry Seinfeld said, “Even nothing is something.” Continue reading Espresso Shots: Nohow On: Company, Ill Seen Ill Said, Worstward Ho, by Samuel Beckett
Body horror collides with a kind of digital mysticism. Continue reading Espresso Shots: Desert Tiles by Mike Corrao
Pop culture, politics, science fiction, and everyday surrealism combine into tiny literary confections. Continue reading Espresso Shots: Roses are Red, Violets are stealing loose change from my pockets while I sleep, by David S. Atkinson