CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD, Part 3
Singed can be seen as a chimera and a rhizomatic desiring-machine. Continue reading CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD, Part 3
Singed can be seen as a chimera and a rhizomatic desiring-machine. Continue reading CRITICAL APPRAISALS: RADICAL VOICES: CASCELLA, ROBERTSON, BROSSARD, Part 3
The short novel shifts between comedy and horror, commentary and meta-commentary, wetware and meatspace. Continue reading Espresso Shots: 404 Error: memoir of a nobody, by RG Vasicek & Zak Ferguson
Bendy words heaped into bulwarks. Continue reading Commonplace Book: 3 Random Passages from Richard Makin Novels
Richard Makin’s trilogy (Work, Dwelling, Mourning) represents a landmark achievement in (post)modern literature, one that avoids easy classification or explanation. Continue reading CRITICAL APPRAISALS: JOYCE / BECKETT // ASHBERY /// MAKIN – Part 1
Body horror collides with a kind of digital mysticism. Continue reading Espresso Shots: Desert Tiles by Mike Corrao
Natural Complexions is a book that illuminates our addiction to social media, news cycles replete with violence and scandal, and the farcical idiocies of modern celebrities. Continue reading Natural Complexions, by D. Harlan Wilson
GlassHouse is a neo-noir phantasmorgia, Faulknerian and Lynchian by turns, written by a scholar of James Joyce and the avant-garde. Continue reading GlassHouse by Louis Armand
One hell of a footnote from The Combinations by Louis Armand. Continue reading The Combinations Week Day 5: Commonplace Book: One Hell of a Footnote
An exploration into the terminus of literary modernism. Continue reading THE COMBINATIONS WEEK DAY 3: THE COMBINATIONS REVIEW, PART III
A Critical Appraisal of The Combinations by Louis Armand. Continue reading THE COMBINATIONS WEEK DAY 2: THE COMBINATIONS REVIEW, PART II