“The Familiar” series weaves a series of interrelated narratives together. It combines different genres and styles, ranging from hard-boiled Los Angeles noir to stream-of-consciousness psychological introspection. It is referential and self-referential with typographic experimentation and excesses. At times the traditional arrangement of paragraphs shatter, explode, or blur. In other instances the words form pictures, the boundaries between word and image disappearing altogether. Continue reading The Familiar, Volume 4: Hades, by Mark Z. Danielewski @ NYJB