“Elephant Vice” by Chris Meekings has the Hindu God Ganesha and Post-Impressionist firebrand Vincent van Gogh on the case.
This week I review “Dangerous Stories for Boys,” by Christopher Bernard, a fascinating, but ultimately disappointing collection of short stories.
This week I review the short stories of Orrin Grey, collected in “Painted Monsters and Other Beasts,” where he plumbs the depths of human experience similar to Clive Barker and Jim Thompson.
It’s just a collection of outdated Dad Jokes. Don’t bother.
Fouad Laroui casts his eye on Morocco’s dour political legacy with the scalpel-like precision of a social satirist.
Patrick Modiano goes beyond the checklist accuracies of historical fiction, fashioning a lush fever dream filled with glamor, mystery, and despair.
The saga of Xanther and her cat continue in “The Familiar, Volume 2: Into the Woods,” by Mark Z. Danielewski. But questions arise when her father Anwar takes them to the vet. The vet tells Xanther that her puff of white fur isn’t a cat at all, but a dog. It isn’t just born, but very old. It also belongs to someone else.
This week I review “Kinda Sorta American Dream,” by Steve Karas, a short story collection poised between comedy and apocalypse.
Originally published in 2005, Feral House has reissued “Sin-a-Rama: Sleaze Sex Paperbacks of the Sixties” in a new, expanded edition. Edited by Adam Parfrey and B. Astrid Daley, Sin-a-Rama delves into this lesser known literary genre.
“Sick” by Gabby Schulz is the quintessential graphic novel for this violent, demented, and hypocritical epoch of American history.