THE SETH KAUFMAN INTERVIEW

This year Seth Kaufman released “The War on Boredom,” a collection of short stories, and “Nuns with Guns,” a social satire on America’s unhealthy gun obsession. I talked with Seth about reality TV, nuns and guns, and the power of network television. Continue reading THE SETH KAUFMAN INTERVIEW

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An Interview with Michael Sean LeSueur

Last February, I reviewed “Pixiegate Madoke” by Michael Sean LeSueur at the Chicago Center for Literature and Photography (CCLaP). I had an email interview with Michael, where we discussed gender politics, bizarro literature, and pop culture. Continue reading An Interview with Michael Sean LeSueur

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CCLaP Fridays: Pagan Kennedy’s Living: A Guidebook for Aging Hipsters, by Pagan Kennedy

This week I review the 1997 classic “Pagan Kennedy’s Living: A Guidebook for Aging Hipsters,” where the Queen of ‘Zines offers advice and lifestyle tips. Continue reading CCLaP Fridays: Pagan Kennedy’s Living: A Guidebook for Aging Hipsters, by Pagan Kennedy

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Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace, by David Lipsky

“Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace,” by David Lipsky offers a unique look into the mind of an amazing writer. Continue reading Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace, by David Lipsky

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On Being Human Redux: Notes on “Orphan Black”

An occasional series that is a continuation of my essay anthology, On Being Human: critical looks at books and movies that examine the question of humanity. (Buy the limited edition hardcover, Kindle version, or download it for free at the Chicago Center for Literature and Photography.) Via Orphan Black: Season 3 will be premiering on April 18, 2015 on BBC America. Below are a series of notes on Seasons 1 and 2. Due to the nature of these essays, they contain many spoilers, major and minor. If you haven’t seen the series, I would suggest watching it before reading these … Continue reading On Being Human Redux: Notes on “Orphan Black”

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