Tag: TV

Critic's Notebook, film, The Art of Reviewing, The Internet, TV1 Comment

Critic’s Notebook: Unpopular Causes, Part IV

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Nathan Rabin and the Countercanonical Critique The AV Club has carved out a niche of reputable pop cultural criticism.  Nathan Rabin has been profiled before in the Art of Reviewing.  It focused on his unique style and examined his ongoing series My Year of Flops.  Rabin’s bombastic style plays off his subject matter, whether it is a movie that bombed at the box-office or a hip hop review.  Rabin has expanded his critical eye to include country music (Nashville or Bust!) and pop ephemera (THEN! That’s What They Called Music). Movie flops, the NOW That’s What I Call Music! compilations, … Continue reading Critic’s Notebook: Unpopular Causes, Part IV

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Critic’s Notebook: Unpopular Causes, Part III

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Reappropriation: Camp, Kitsch, and Sincerity “When something is just bad (rather than Camp), it’s often because it is too mediocre in its ambition.  The artist hasn’t attempted to do anything outlandish.” – “Notes on Camp” [1965], Susan Sontag “Need more clarification? To his fans Liberace was the epitome of cultured taste, but of course we know he was kitsch. However, unlike the not-quite-weird-enough musical stylings of ABBA, say, or the Village People, Liberace-style kitsch is so weird, so outré, that hipsters find it impossible to appropriate as cheese. Liberace didn’t make his work inappropriable on purpose; others, however, have. The … Continue reading Critic’s Notebook: Unpopular Causes, Part III

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Critic’s Notebook: Unpopular Causes, Part II

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Unpopularity as Popularity: or How to be a hipster. “Every aspect of hipster culture amounts to little more than an elaborate pissing contest.  …  Hipsters ignore rules because they think it will make them look like they don’t care. There is no end result, just a continuous cycle of mediocre indie rock and scruffy looking dudes. By basing their actions on avoiding the mainstream, they are in fact guided by the mainstream.” – “Cracked Topics: Hipster”, Cracked.com You’re not cool enough.  The bands you like aren’t unpopular enough. Hipsters, the annoying quasi-subculture, has its own uses and abuses of unpopularity. … Continue reading Critic’s Notebook: Unpopular Causes, Part II

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Critic’s Notebook: Unpopular Causes, Part I

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“In place of a hermeneutrics we need an erotics of art.” – “Against Interpretation” [1964], Susan Sontag Challenges and Non-Responses The job of the critic is, by turns, tastemaker, evangelist, and champion.  The best critics harness the powers of intellection and enthusiasm to inform his or her readership on a work’s merits.  If a work receives more merits than demerits, than, in a roughly mathematical fashion, the creator obtains a “good review.”  This reviewer finds works with “mixed reviews” or polarizing reactions (see Jonathan Littell’s The Kindly Ones) most attractive, since “mixed reviews” are not sure things.  A tiny element … Continue reading Critic’s Notebook: Unpopular Causes, Part I

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Essays on Capital, First Series: Essay Number Zero

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By way of an introduction … “It is simply misleading and vulgar to say of Marx, as Edmund Wilson in To the Finland Station and many others have done, that he was really a latter-day prophet[.]” – “Piety without content,” Susan Sontag [1961] “Marx’s thought marks a watershed.  Its roots reach back to Joachim of Fiore and further, to the inspired utterances of the Old Testament prophets.” – Reasons for Our Rhymes: An Inquiry into the Philosophy of History, R. A. Herrera [2001] “Better dead than Red.” – Anti-communist saying [c. 1950s] Karl Marx is a controversial, misunderstood, and often … Continue reading Essays on Capital, First Series: Essay Number Zero

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Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

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Author’s Note: I wrote this for the Smart Pop Books essay contest featuring Joss Whedon’s beloved-but-canceled TV series Dollhouse.  Since they did not choose my essay, I am posting it here on my blog. Introduction “A mask is but a sum of lines; a face, on the contrary, is above all their thematic harmony.” – “Garbo’s Face,” Mythologies by Roland Barthes Dollhouse is revolutionary television in its depiction of beauty.  The beauty presented on the program encompasses the social, economic, and visual.  We get the exotic beauty of Sierra and Victor, Bennett Halverson’s nerdy beauty, the damaged Dr. Saunders, Alpha’s … Continue reading Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

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In re Dollhouse Riffs

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“Curse your sudden but inevitable betrayal!” Things get complicated. Due to the unprecedented awesomeness of Dollhouse, I’ve decided to forgo writing any more Dollhouse Riffs until Season Two concludes.  As you know, dear readers, I avoid writing the usual episode summary.  “This was cool.  This wasn’t cool.”  My essays aim for a more critical and analytical perspective.  Fortunately and unfortunately, the December episodes of Dollhouse have really threw me for a loop.  The reappearance of Alpha, the labyrinthine mindscrew of the Attic (both the episode and as a biotechnological concept), and Adelle’s assembly of a Dollhouse: LA Scooby Gang leave … Continue reading In re Dollhouse Riffs

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Dollhouse Riffs: Riff #7: Dollhouse sent to the Attic

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Good bye, Echo. Sent to the Attic Echo: Everyone’s unhappy today. Topher: Somebody put her tiny little thinking cap on! Spy in the House of Love The inevitable has occurred.  Dollhouse, the science fiction series masterminded by Joss Whedon, fought against dismal ratings and executive meddling only to finally get canceled after two seasons.  To use the jargon of Adele DeWitt, the series was “sent to the Attic.” While the Dollhouse cancellation is traumatic for fans, viewers must also take a step back from emotional reaction and explore the possibilities.  The TV landscape and the media landscape are radically different … Continue reading Dollhouse Riffs: Riff #7: Dollhouse sent to the Attic

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Dollhouse Riffs: Riff #6: The Sierra Club; or Human Labor-power, Commodity Fetishism, and Workplace Rape

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Commodities and human labor-power Arrows and Aphorisms “Remember Jamie Leigh Jones, the Halliburton/KBR contractor who alleged she was gang raped by her co-workers in Iraq and then imprisoned in a shipping container after she reported the attack to the company? Well, it looks like she’s finally get to sue the company, in a real courthouse, over her ordeal. “Her legal saga started after Halliburton failed to take any action against her alleged attackers, and the Justice Department and military also failed to prosecute. Jones then tried to sue the company for failing to protect her. But thanks to an employment … Continue reading Dollhouse Riffs: Riff #6: The Sierra Club; or Human Labor-power, Commodity Fetishism, and Workplace Rape

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