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Critic’s Notebook: Unpopular Causes, Part V

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Two Personal Favorites: Spook Country (2007) and Domino (2005) Spook Country The toughest challenge for any author is to follow up a big hit with an equally big hit.  Following the epic genius of Gravity’s Rainbow, Thomas Pynchon released the misunderstood novel Vineland.  In the case of William Gibson, he experienced career resurgence with the release of Pattern Recognition, an “empathetic thriller” about advertising, intelligence, and an elusive video.  Gibson set the novel in the present and it reads like a strange relic, an artifact set in a world after 9/11 but before YouTube. Spook Country follows the same general … Continue reading Critic’s Notebook: Unpopular Causes, Part V

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Critic’s Notebook: Unpopular Causes, Part IV

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Nathan Rabin and the Countercanonical Critique The AV Club has carved out a niche of reputable pop cultural criticism.  Nathan Rabin has been profiled before in the Art of Reviewing.  It focused on his unique style and examined his ongoing series My Year of Flops.  Rabin’s bombastic style plays off his subject matter, whether it is a movie that bombed at the box-office or a hip hop review.  Rabin has expanded his critical eye to include country music (Nashville or Bust!) and pop ephemera (THEN! That’s What They Called Music). Movie flops, the NOW That’s What I Call Music! compilations, … Continue reading Critic’s Notebook: Unpopular Causes, Part IV

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Critic’s Notebook: Unpopular Causes, Part III

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Reappropriation: Camp, Kitsch, and Sincerity “When something is just bad (rather than Camp), it’s often because it is too mediocre in its ambition.  The artist hasn’t attempted to do anything outlandish.” – “Notes on Camp” [1965], Susan Sontag “Need more clarification? To his fans Liberace was the epitome of cultured taste, but of course we know he was kitsch. However, unlike the not-quite-weird-enough musical stylings of ABBA, say, or the Village People, Liberace-style kitsch is so weird, so outré, that hipsters find it impossible to appropriate as cheese. Liberace didn’t make his work inappropriable on purpose; others, however, have. The … Continue reading Critic’s Notebook: Unpopular Causes, Part III

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Critic’s Notebook: Unpopular Causes, Part II

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Unpopularity as Popularity: or How to be a hipster. “Every aspect of hipster culture amounts to little more than an elaborate pissing contest.  …  Hipsters ignore rules because they think it will make them look like they don’t care. There is no end result, just a continuous cycle of mediocre indie rock and scruffy looking dudes. By basing their actions on avoiding the mainstream, they are in fact guided by the mainstream.” – “Cracked Topics: Hipster”, Cracked.com You’re not cool enough.  The bands you like aren’t unpopular enough. Hipsters, the annoying quasi-subculture, has its own uses and abuses of unpopularity. … Continue reading Critic’s Notebook: Unpopular Causes, Part II

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Critic’s Notebook: Unpopular Causes, Part I

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“In place of a hermeneutrics we need an erotics of art.” – “Against Interpretation” [1964], Susan Sontag Challenges and Non-Responses The job of the critic is, by turns, tastemaker, evangelist, and champion.  The best critics harness the powers of intellection and enthusiasm to inform his or her readership on a work’s merits.  If a work receives more merits than demerits, than, in a roughly mathematical fashion, the creator obtains a “good review.”  This reviewer finds works with “mixed reviews” or polarizing reactions (see Jonathan Littell’s The Kindly Ones) most attractive, since “mixed reviews” are not sure things.  A tiny element … Continue reading Critic’s Notebook: Unpopular Causes, Part I

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Essays on Capital, First Series: Essay Number Zero

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By way of an introduction … “It is simply misleading and vulgar to say of Marx, as Edmund Wilson in To the Finland Station and many others have done, that he was really a latter-day prophet[.]” – “Piety without content,” Susan Sontag [1961] “Marx’s thought marks a watershed.  Its roots reach back to Joachim of Fiore and further, to the inspired utterances of the Old Testament prophets.” – Reasons for Our Rhymes: An Inquiry into the Philosophy of History, R. A. Herrera [2001] “Better dead than Red.” – Anti-communist saying [c. 1950s] Karl Marx is a controversial, misunderstood, and often … Continue reading Essays on Capital, First Series: Essay Number Zero

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Miss Lonelyhearts & The Day of the Locust, by Nathanael West

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The short tragic life of Nathanael West produced four novels.  Dying penniless and alone, West bequeathed a literary legacy that has reverberated in the works of Alexander Theroux and Thomas Pynchon.  The two works collected here, “Miss Lonelyhearts,” a long short story, and The Day of the Locust, a novella; offer the reader a sampling of West’s scathing apocalyptic satire.  In little over 180 pages, the reader encounters ferocious black humor, hard-boiled surrealism, and apocalyptic visions.  Nathanael West belongs to the family of innovative literary Modernists like T.S. Eliot, Samuel Beckett, and William Faulkner. “Miss Lonelyhearts” is a story about … Continue reading Miss Lonelyhearts & The Day of the Locust, by Nathanael West

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Capital: Volume 1: A Critique of Political Economy (1867), by Karl Marx

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Two years after the American Civil War ended and nearly two decades after revolutions ravaged the European continent, Karl Marx, a secular Jew living in exile in Great Britain, published the first volume of Capital: A Critique of Political Economy.  Two more volumes would follow.  The plan involved an outline for six volumes, a monumental undertaking even to someone as prolific as Marx was.  Friedrich Engels would go on to edit and compile the second and third volumes in addition to editing future editions of Volume 1. Volume 1 of Capital can be seen bookending Marx’s fecund writing career.  He … Continue reading Capital: Volume 1: A Critique of Political Economy (1867), by Karl Marx

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Critic’s Notebook: A Demanding Read, Part II (Non-fiction)

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The act of reading can exact a demanding price from the reader.  If one lacks preparation, he or she can be left in a wallow of ignorance.  Certain titles exist that a reader approaches with caution.  The Cantos of Ezra Pound, Gravity’s Rainbow by Thomas Pynchon, Atlas Shrugged by Ayn Rand, and many others.  Non-fiction works also intimidate potential readers.  I am currently reading the second volume of Henry Kissinger’s memoirs, Years of Upheaval, and the first volume of Capital by Karl Marx.  Each extracts certain demands from the reader in its own particular way. Yes, this book actually exists. … Continue reading Critic’s Notebook: A Demanding Read, Part II (Non-fiction)

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White House Years (1979) by Henry Kissinger

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Tears of a Courtier Political memoirs are works of self-justification.  In the case of Henry Kissinger, he packages these self-justifications in the first volume of his memoirs, White House Years (1979).  As a major partner with President Richard Nixon, Kissinger, working as the Assistant to the President for National Security Affairs (more commonly referred to as the National Security Advisor), he followed Nixon’s wishes to direct the nation’s foreign policy from the White House.  Kissinger transformed himself from a Harvard academic to a diplomat engineering international relationships (political and military) of world-historical importance. During this period, Nixon and Kissinger could … Continue reading White House Years (1979) by Henry Kissinger

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