Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

Author’s Note: I wrote this for the Smart Pop Books essay contest featuring Joss Whedon’s beloved-but-canceled TV series Dollhouse.  Since they did not choose my essay, I am posting it here on my blog. Introduction “A mask is but a sum of lines; a face, on the contrary, is above all their thematic harmony.” – “Garbo’s Face,” Mythologies by Roland Barthes Dollhouse is revolutionary television in its depiction of beauty.  The beauty presented on the program encompasses the social, economic, and visual.  We get the exotic beauty of Sierra and Victor, Bennett Halverson’s nerdy beauty, the damaged Dr. Saunders, Alpha’s … Continue reading Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

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Miss Lonelyhearts & The Day of the Locust, by Nathanael West

The short tragic life of Nathanael West produced four novels.  Dying penniless and alone, West bequeathed a literary legacy that has reverberated in the works of Alexander Theroux and Thomas Pynchon.  The two works collected here, “Miss Lonelyhearts,” a long short story, and The Day of the Locust, a novella; offer the reader a sampling of West’s scathing apocalyptic satire.  In little over 180 pages, the reader encounters ferocious black humor, hard-boiled surrealism, and apocalyptic visions.  Nathanael West belongs to the family of innovative literary Modernists like T.S. Eliot, Samuel Beckett, and William Faulkner. “Miss Lonelyhearts” is a story about … Continue reading Miss Lonelyhearts & The Day of the Locust, by Nathanael West

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On Love (1822) by Stendahl

Poised between artifice and authentic emotionalism, Stendahl’s On Love explores the topic of love, combining the rational and the romantic.  The stylistic balance fits the personality of Stendahl, the nom de plume of Henri-Marie Beyle.  The short work combines analytical passages and excerpts from the dairy of Salviati, another guise Stendahl uses to investigate the concept of love. The accretion of different personae, pseudonyms of pseudonyms, creates a fascinating literary product.  The book’s genesis can be traced back to a rebuff Stendahl received from Matilde Dembowski, “the aristocratic young wife of a Polish officer” Sophie Lewis says in the Introduction … Continue reading On Love (1822) by Stendahl

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Jesus of Nazareth by Paul Verhoeven

At first glance, the idea that Paul Verhoeven, director of Basic Instinct, Robocop, and Starship Troopers, wrote a book on Jesus strikes one as the set-up to a particularly tasteless joke.  Fortunately, Verhoeven offers the reader his perspective on the Historical Jesus in his book, Jesus of Nazareth. Trained in mathematics and a prolific filmmaker, Verhoeven has been a member of the Jesus Seminar since he moved to Los Angeles in 1985.  He occupies a unique intellectual position within the Jesus Seminar due to his status as non-academic, non-theologian, and non-believer.  (But belief is not a prerequisite to historical investigation … Continue reading Jesus of Nazareth by Paul Verhoeven

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Gilead by Marilynne Robinson

Marilynne Robinson is not a prolific author, but like fellow slow writers Thomas Pynchon and Alexander Theroux, each of her novels is a finely hewn literary masterpiece.  Gilead reveals literature at its finest.  Taking the form of letters written to his young son, Reverend John Ames, an old man approaching the twilight of his years, writes about God, history, fathers and sons, and life.  According to the summary on the dust jacket, the year is 1956.  Past and present commingle as Ames remembers his early life, including his father the pacifist and his grandfather, the fiery visionary abolitionist.  Father and … Continue reading Gilead by Marilynne Robinson

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Capital: Volume 1: A Critique of Political Economy (1867), by Karl Marx

Two years after the American Civil War ended and nearly two decades after revolutions ravaged the European continent, Karl Marx, a secular Jew living in exile in Great Britain, published the first volume of Capital: A Critique of Political Economy.  Two more volumes would follow.  The plan involved an outline for six volumes, a monumental undertaking even to someone as prolific as Marx was.  Friedrich Engels would go on to edit and compile the second and third volumes in addition to editing future editions of Volume 1. Volume 1 of Capital can be seen bookending Marx’s fecund writing career.  He … Continue reading Capital: Volume 1: A Critique of Political Economy (1867), by Karl Marx

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