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Critical Appraisal: The Landscape of Hell

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The representation of Hell as a cartographic region has its origins in Dante’s Divine Comedy.  Dante adapted the imagery already present in medieval painting and sculpture to comment on his political situation and his own scientific and theological beliefs.  He populated it with real people, including political heroes and villains, good popes and bad popes, adulterous princesses, and monsters human and mythological.  On Dante’s spiritual journey, he traveled with the Roman poet Vergil down the various circles of Hell and then up Mount Purgatory.  Finally, led by his beloved Beatrice, he journeyed through the heavenly spheres until he was in … Continue reading Critical Appraisal: The Landscape of Hell

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Essays on Capital, First Series: Essay One

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Essay 1: Capital and the historical moment From commodities to citizens. O garment not golden but gilded, O garden where all men may dwell, O tower not of ivory, but builded By hands that reach heaven from hell; O mystical rose of the mire, O house not of gold but of gain, O house of unquenchable fire, Our Lady of Pain! “Dolores (Notre-Dame des Sept Douleurs)”, Algernon Charles Swinburne (1866) The Civil War: Revolution in Labor Relations The Civil War ended in 1865 bringing about the cessation of hostilities between the United States and the Confederacy.  After four years and … Continue reading Essays on Capital, First Series: Essay One

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Critic’s Notebook: Unpopular Causes, Part V

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Two Personal Favorites: Spook Country (2007) and Domino (2005) Spook Country The toughest challenge for any author is to follow up a big hit with an equally big hit.  Following the epic genius of Gravity’s Rainbow, Thomas Pynchon released the misunderstood novel Vineland.  In the case of William Gibson, he experienced career resurgence with the release of Pattern Recognition, an “empathetic thriller” about advertising, intelligence, and an elusive video.  Gibson set the novel in the present and it reads like a strange relic, an artifact set in a world after 9/11 but before YouTube. Spook Country follows the same general … Continue reading Critic’s Notebook: Unpopular Causes, Part V

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Critic’s Notebook: Unpopular Causes, Part IV

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Nathan Rabin and the Countercanonical Critique The AV Club has carved out a niche of reputable pop cultural criticism.  Nathan Rabin has been profiled before in the Art of Reviewing.  It focused on his unique style and examined his ongoing series My Year of Flops.  Rabin’s bombastic style plays off his subject matter, whether it is a movie that bombed at the box-office or a hip hop review.  Rabin has expanded his critical eye to include country music (Nashville or Bust!) and pop ephemera (THEN! That’s What They Called Music). Movie flops, the NOW That’s What I Call Music! compilations, … Continue reading Critic’s Notebook: Unpopular Causes, Part IV

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Critic’s Notebook: Unpopular Causes, Part III

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Reappropriation: Camp, Kitsch, and Sincerity “When something is just bad (rather than Camp), it’s often because it is too mediocre in its ambition.  The artist hasn’t attempted to do anything outlandish.” – “Notes on Camp” [1965], Susan Sontag “Need more clarification? To his fans Liberace was the epitome of cultured taste, but of course we know he was kitsch. However, unlike the not-quite-weird-enough musical stylings of ABBA, say, or the Village People, Liberace-style kitsch is so weird, so outré, that hipsters find it impossible to appropriate as cheese. Liberace didn’t make his work inappropriable on purpose; others, however, have. The … Continue reading Critic’s Notebook: Unpopular Causes, Part III

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Critic’s Notebook: Unpopular Causes, Part I

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“In place of a hermeneutrics we need an erotics of art.” – “Against Interpretation” [1964], Susan Sontag Challenges and Non-Responses The job of the critic is, by turns, tastemaker, evangelist, and champion.  The best critics harness the powers of intellection and enthusiasm to inform his or her readership on a work’s merits.  If a work receives more merits than demerits, than, in a roughly mathematical fashion, the creator obtains a “good review.”  This reviewer finds works with “mixed reviews” or polarizing reactions (see Jonathan Littell’s The Kindly Ones) most attractive, since “mixed reviews” are not sure things.  A tiny element … Continue reading Critic’s Notebook: Unpopular Causes, Part I

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book reviews, books, The Horus Heresy, Warhammer 40KLeave a comment

Mechanicum (The Horus Heresy, Book 9) by Graham McNeill

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The Horus Heresy series continues in Graham McNeill’s epic Mechanicum.  Graham McNeill is one of the Black Library’s “dream team” writers.  The other members of the trio include the hyper-prolific Dan Abnett and Ben Counter.  The trio wrote the first three novels of the Horus Heresy series. The first three novels functioned like a self-contained trilogy, chronicling the Warmaster Horus and his descent into heresy and madness.  James Swallow’s Flight of the Eisenstein (Book 4) was a taut thriller with crisp writing and wonderfully orchestrated space battles.  Since then, the Horus Heresy has had its ups (Legion by Dan Abnett) … Continue reading Mechanicum (The Horus Heresy, Book 9) by Graham McNeill

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White House Years (1979) by Henry Kissinger

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Tears of a Courtier Political memoirs are works of self-justification.  In the case of Henry Kissinger, he packages these self-justifications in the first volume of his memoirs, White House Years (1979).  As a major partner with President Richard Nixon, Kissinger, working as the Assistant to the President for National Security Affairs (more commonly referred to as the National Security Advisor), he followed Nixon’s wishes to direct the nation’s foreign policy from the White House.  Kissinger transformed himself from a Harvard academic to a diplomat engineering international relationships (political and military) of world-historical importance. During this period, Nixon and Kissinger could … Continue reading White House Years (1979) by Henry Kissinger

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The Art of Reviewing: Nathan Rabin

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Every blog needs a large-scale project. The Art of Reviewing will explore reviewing as an art form and as a valuable element to understanding society.  During this project, I will profile specific reviewers of merit.  Several specific cases also explore other facets of reviewing. Noted Nathan Rabin impressionist David Cross. Nathan Rabin is the hip hop music reviewer for the AV Club.  He hails from Chicago and calls himself “the world’s most secular Jew.”  His other noteworthy contributions to pop culture criticism include “Nashville or Bust,” a long-term series exploring country music, and “My Year of Flops.”  With the latter, … Continue reading The Art of Reviewing: Nathan Rabin

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