To Account for Murder by William C. Whitbeck

If Permanent Press had a prestige novel, To Account for Murder by William C. Whitbeck would it.  The novel presents a fictionalized version of real life events that happened in Michigan.  In 1945, Senator Warren G. Hooper was murdered in a gangland-style slaying.  To this day, the murder case has never been solved.  William C. Whitbeck, the author of the novel, also works as Chief Judge of the Michigan Court.  He presents us with the tale of one Charlie Cahill, a disabled vet, prosecutor, and son of an Irish bootlegger. Set in Lansing during 1945 and into 1946, Whitbeck paints … Continue reading To Account for Murder by William C. Whitbeck

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Critical Appraisal: The Landscape of Hell

The representation of Hell as a cartographic region has its origins in Dante’s Divine Comedy.  Dante adapted the imagery already present in medieval painting and sculpture to comment on his political situation and his own scientific and theological beliefs.  He populated it with real people, including political heroes and villains, good popes and bad popes, adulterous princesses, and monsters human and mythological.  On Dante’s spiritual journey, he traveled with the Roman poet Vergil down the various circles of Hell and then up Mount Purgatory.  Finally, led by his beloved Beatrice, he journeyed through the heavenly spheres until he was in … Continue reading Critical Appraisal: The Landscape of Hell

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Dead Weight by John Francome @ Joe Bob Briggs

Phil Nicholas is a National Hunt jockey psychologically shaken after a bad fall. The National Hunt is a popular series of races involving horses in steeplechase races. Phil’s horse didn’t make it over one of these barriers, making the fall particularly nasty. He has had symptoms of Post-Traumatic Stress Disorder and it is making him not race as well. Because of the fall, he seeks psychiatric help, but keeps it secret from his wife Julia, a horse trainer, and his fellow jockeys. Phil is afraid the therapy might make him appear weak. Keith works as a gamekeeper and has been … Continue reading Dead Weight by John Francome @ Joe Bob Briggs

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Grand New Party by Ross Douthat and Reihan Salam @ Joe Bob Briggs

The United States has a lot of problems. On occasion, someone might have a bright idea on how to solve those problems. The book asserting it can fix all America’s problems is Grand New Party: How Republicans can win the working class and save the American Dream by Ross Douthat and Reihan Salam. The main idea of Grand New Party is for the GOP to offer an agenda that would help a pan-ethnic working class. Unfortunately, it seems that the people most in need of reading this book have not done so. Arizona attempted to solve its immigration problem in … Continue reading Grand New Party by Ross Douthat and Reihan Salam @ Joe Bob Briggs

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Critic’s Notebook: Unpopular Causes, Part IV

Nathan Rabin and the Countercanonical Critique The AV Club has carved out a niche of reputable pop cultural criticism.  Nathan Rabin has been profiled before in the Art of Reviewing.  It focused on his unique style and examined his ongoing series My Year of Flops.  Rabin’s bombastic style plays off his subject matter, whether it is a movie that bombed at the box-office or a hip hop review.  Rabin has expanded his critical eye to include country music (Nashville or Bust!) and pop ephemera (THEN! That’s What They Called Music). Movie flops, the NOW That’s What I Call Music! compilations, … Continue reading Critic’s Notebook: Unpopular Causes, Part IV

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Critic’s Notebook: Unpopular Causes, Part III

Reappropriation: Camp, Kitsch, and Sincerity “When something is just bad (rather than Camp), it’s often because it is too mediocre in its ambition.  The artist hasn’t attempted to do anything outlandish.” – “Notes on Camp” [1965], Susan Sontag “Need more clarification? To his fans Liberace was the epitome of cultured taste, but of course we know he was kitsch. However, unlike the not-quite-weird-enough musical stylings of ABBA, say, or the Village People, Liberace-style kitsch is so weird, so outré, that hipsters find it impossible to appropriate as cheese. Liberace didn’t make his work inappropriable on purpose; others, however, have. The … Continue reading Critic’s Notebook: Unpopular Causes, Part III

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Critic’s Notebook: Unpopular Causes, Part II

Unpopularity as Popularity: or How to be a hipster. “Every aspect of hipster culture amounts to little more than an elaborate pissing contest.  …  Hipsters ignore rules because they think it will make them look like they don’t care. There is no end result, just a continuous cycle of mediocre indie rock and scruffy looking dudes. By basing their actions on avoiding the mainstream, they are in fact guided by the mainstream.” – “Cracked Topics: Hipster”, Cracked.com You’re not cool enough.  The bands you like aren’t unpopular enough. Hipsters, the annoying quasi-subculture, has its own uses and abuses of unpopularity. … Continue reading Critic’s Notebook: Unpopular Causes, Part II

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Critic’s Notebook: Unpopular Causes, Part I

“In place of a hermeneutrics we need an erotics of art.” – “Against Interpretation” [1964], Susan Sontag Challenges and Non-Responses The job of the critic is, by turns, tastemaker, evangelist, and champion.  The best critics harness the powers of intellection and enthusiasm to inform his or her readership on a work’s merits.  If a work receives more merits than demerits, than, in a roughly mathematical fashion, the creator obtains a “good review.”  This reviewer finds works with “mixed reviews” or polarizing reactions (see Jonathan Littell’s The Kindly Ones) most attractive, since “mixed reviews” are not sure things.  A tiny element … Continue reading Critic’s Notebook: Unpopular Causes, Part I

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Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

Author’s Note: I wrote this for the Smart Pop Books essay contest featuring Joss Whedon’s beloved-but-canceled TV series Dollhouse.  Since they did not choose my essay, I am posting it here on my blog. Introduction “A mask is but a sum of lines; a face, on the contrary, is above all their thematic harmony.” – “Garbo’s Face,” Mythologies by Roland Barthes Dollhouse is revolutionary television in its depiction of beauty.  The beauty presented on the program encompasses the social, economic, and visual.  We get the exotic beauty of Sierra and Victor, Bennett Halverson’s nerdy beauty, the damaged Dr. Saunders, Alpha’s … Continue reading Dollhouse Riffs: Special Edition: Victor’s Chin and Sierra’s Cheekbones: Dollhouse and the Reinvention of Beauty on TV

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