Category: books

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The Art of Reviewing: Introductory Remarks

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Every blog needs a large-scale project. The Art of Reviewing will explore reviewing as an art form and as a valuable element to understanding society.  During this project, I will profile specific reviewers of merit.  Several specific cases also explore other facets of reviewing. What makes a good reviewer? A review is only good as the individual reviewing the work.  But what is meant by good?  Good – like value, civilization, and culture – is a loaded term.  It should be not be used in a cavalier fashion or overloaded with moral baggage.  Does the reviewer have a technique, a … Continue reading The Art of Reviewing: Introductory Remarks

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Gravity’s Rainbow (1973) by Thomas Pynchon

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“unreadable, turgid, overwritten and obscene.” — Pulitzer Prize board. Scenario: Imagine you’re a peasant, wallowing about the mud, occasionally getting hassled by men in armor alleging they are kings because some lass threw a scimitar at him, and you’re late for the biweekly meeting of your anarcho-sydiclist commune. Perhaps you’re name is Dennis. Life is a constant struggle involving mud, plague, and rampaging Crusaders lopping the heads off random farmers. Your daily routine of mud farming is disrupted. Out of nowhere, an day-glo painted SR-71 Blackbird, piloted by a figure reminiscent of Donald Sutherland’s character from Kelley’s Heroes and co-piloted … Continue reading Gravity’s Rainbow (1973) by Thomas Pynchon

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Vineland and the Pynchon Canon: A Critical Appraisal

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Introduction: “The bums lost.” The Big Lebowski: Your revolution is over, Mr. Lebowski. Condolences. The bums lost. My advice is to do what your parents did; get a job, sir. The bums will always lose. Do you hear me, Lebowski? The Dude walks out and shuts the door. The Big Lebowski: The bums will always lose! Brandt: How was your meeting, Mr. Lebowski? The Dude: Okay. The old man told me to take any rug in the house. The Big Lebowski (1998) – Los Bros. Coen In 1990 saw the publication of Vineland, by Thomas Pynchon.  The novel concerned the … Continue reading Vineland and the Pynchon Canon: A Critical Appraisal

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Fulgrim (Horus Heresy, Book Five) by Graham McNeill

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The epic tale of the Horus Heresy continues in Fulgrim, the fifth volume of a planned twelve-volume cycle in the Warhammer 40K series. In the previous book, Flight of the Eisenstein, Battle-Captain Nathaniel Garro flies to Terra to warn the Emperor of Mankind of heresy. Not just any heresy, but heresy led by Warmaster Horus to overthrow the Emperor. Fulgrim tells a story parallel to the events of Eisenstein, eventually meeting up where the previous volume left off. The Fulgrim of the novel is the Primarch of the Emperor’s Children, a Space Marine legion priding itself in its fighting perfection. … Continue reading Fulgrim (Horus Heresy, Book Five) by Graham McNeill

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Critic’s Notebook: Whedon, Pynchon, and the Flexible Canon

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In the next few days, I’ll be posting another Dollhouse Riff.  Riff #3 will focus on the unaired episode “epitaph one” and how it relates to the Dollhouse Canon.  I will also write a Critical Appraisal of Thomas Pynchon’s novel Vineland.  For years, Vineland has been relegated to second banana status in the Pynchon Canon.  With the publication of Inherent Vice, the Pynchon Canon requires that we re-examine the works and their critical status. Continue reading Critic’s Notebook: Whedon, Pynchon, and the Flexible Canon

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An Adultery (1987) by Alexander Theroux

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Alexander Theroux’s name returned to the news with the publication of Laura Worholic; or, The Sexual Intellectual. The 878-page work can be intimidating to readers, especially those unfamiliar with Theroux’s bombastic, encyclopedic, maximalist style.  A gateway to his larger works would be An Adultery, written more than two decades earlier and less than half the length of Laura Worholic.  The writing is as straightforward as the slip of a plot. Painter Christian Ford loves Farol Colorado.  Farol is married and Christian is going out with Marina.  Complications ensue.  While the adulterous male narrator may be one of the most clichéd … Continue reading An Adultery (1987) by Alexander Theroux

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The New Comics Anthology (1991), by Daniel Clowes (editor)

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A stunning collection of comix, from the punk funnies to foreign voices and places in-between. Published in 1991, the chorus of independent voices range from Harvey Pekar to Gary Panter to Art Spiegelman to Chris Ware and Los Bros. Hernandez. Before the publishers marketed the heck out of the term “graphic novel” and prior to Maus legitimizing the genre to cautious, middlebrow, suburban white people, this anthology stood out like a lighthouse in the storm of Reaganomics, Cold War paranoia, and the tights-and-capes crowd. The ensuing decade has seen these artists become more and more mainstream, which isn’t necessarily a … Continue reading The New Comics Anthology (1991), by Daniel Clowes (editor)

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The Black Doll, by Edward Gorey

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“The Black Doll” is a screenplay for a silent movie Edward Gorey wanted to make. The screenplay itself is a wonderful mishmash of McGuffins, archeology, masquerade, and comic dread. Heiresses, thieves, the Fiend, and others try to capture the Black Doll and the PRO (the Priceless Religious Object). The screenplay, like all of Gorey’s work, is set in Gorey-world, a time roughly analogous to Victorian, Edwardian, and Roaring Twenties UK and USA. Gorey is masterful in his use of atmosphere. Also included is Anne Nocenti’s interview with Gorey. Nocenti worked on “Typhoid Mary” a Marvel comic book villain associated with … Continue reading The Black Doll, by Edward Gorey

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Neuromancer by William Gibson

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This novel made me fall back in love with science fiction.  Gritty future noir set amidst AI, evil multinationals, and organized crime.  The novel glitters with beautifully written passages, amalgamating techspeak with Japanese, Haitian creole, and back-alley slang.  Sure, it’s been criticized as “surface and gloss,” but what surface, what gloss!  When most speculative fiction writers — including some Grandmasters who will go unnamed — became prolific typists with good ideas, Gibson took a well-worn idea (hard-boiled crime fiction), gave it a spin, and produced a spectacular gem. To top it off, Gibson wrote it on a typewriter — how … Continue reading Neuromancer by William Gibson

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