On Love (1822) by Stendahl

Poised between artifice and authentic emotionalism, Stendahl’s On Love explores the topic of love, combining the rational and the romantic.  The stylistic balance fits the personality of Stendahl, the nom de plume of Henri-Marie Beyle.  The short work combines analytical passages and excerpts from the dairy of Salviati, another guise Stendahl uses to investigate the concept of love. The accretion of different personae, pseudonyms of pseudonyms, creates a fascinating literary product.  The book’s genesis can be traced back to a rebuff Stendahl received from Matilde Dembowski, “the aristocratic young wife of a Polish officer” Sophie Lewis says in the Introduction … Continue reading On Love (1822) by Stendahl

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Jesus of Nazareth by Paul Verhoeven

At first glance, the idea that Paul Verhoeven, director of Basic Instinct, Robocop, and Starship Troopers, wrote a book on Jesus strikes one as the set-up to a particularly tasteless joke.  Fortunately, Verhoeven offers the reader his perspective on the Historical Jesus in his book, Jesus of Nazareth. Trained in mathematics and a prolific filmmaker, Verhoeven has been a member of the Jesus Seminar since he moved to Los Angeles in 1985.  He occupies a unique intellectual position within the Jesus Seminar due to his status as non-academic, non-theologian, and non-believer.  (But belief is not a prerequisite to historical investigation … Continue reading Jesus of Nazareth by Paul Verhoeven

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Gilead by Marilynne Robinson

Marilynne Robinson is not a prolific author, but like fellow slow writers Thomas Pynchon and Alexander Theroux, each of her novels is a finely hewn literary masterpiece.  Gilead reveals literature at its finest.  Taking the form of letters written to his young son, Reverend John Ames, an old man approaching the twilight of his years, writes about God, history, fathers and sons, and life.  According to the summary on the dust jacket, the year is 1956.  Past and present commingle as Ames remembers his early life, including his father the pacifist and his grandfather, the fiery visionary abolitionist.  Father and … Continue reading Gilead by Marilynne Robinson

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The Art of Reviewing: Clive James

Clive James and his many books Every blog needs a large-scale project. The Art of Reviewing will explore reviewing as an art form and as a valuable element to understanding society.  During this project, I will profile specific reviewers of merit.  Several specific cases also explore other facets of reviewing. Clive James and the Spice Girls.  A fascinating interview. Clive James has done it all.  He’s a poet, wit, lyricist, TV presenter, cultural commentator, author, and memoirist.  This Australian native represents the Old Guard, sharing a similar background with Christopher Hitchens and Martin Amis.  His critical stance may be a … Continue reading The Art of Reviewing: Clive James

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The Art of Reviewing: Introductory Remarks

Every blog needs a large-scale project. The Art of Reviewing will explore reviewing as an art form and as a valuable element to understanding society.  During this project, I will profile specific reviewers of merit.  Several specific cases also explore other facets of reviewing. What makes a good reviewer? A review is only good as the individual reviewing the work.  But what is meant by good?  Good – like value, civilization, and culture – is a loaded term.  It should be not be used in a cavalier fashion or overloaded with moral baggage.  Does the reviewer have a technique, a … Continue reading The Art of Reviewing: Introductory Remarks

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Dollhouse Riffs: Riff #3: “Epitaph One” and the mutability of the Dollhouse Canon

Los Angeles, 2019: Another ‘Verse.  Another Vision.  More Human Than Human. L to R: Scut Farkas, Little Miss Sunshine, Codex. Apocalypse Now That’s What I Call Entertainment The TV series Dollhouse faces a unique canonical situation with “Epitaph One.”  The episode was produced but unaired, while the series was renewed for another season.  With Season 2 unseen and speculation rife, with a series finale full of cliffhangers and unanswered, where does one place “Epitaph One”? The title name winks at the possibility of the series ending.  The episode’s narrative and setting allude to finality.  Set in the year 2019 in … Continue reading Dollhouse Riffs: Riff #3: “Epitaph One” and the mutability of the Dollhouse Canon

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The New Comics Anthology (1991), by Daniel Clowes (editor)

A stunning collection of comix, from the punk funnies to foreign voices and places in-between. Published in 1991, the chorus of independent voices range from Harvey Pekar to Gary Panter to Art Spiegelman to Chris Ware and Los Bros. Hernandez. Before the publishers marketed the heck out of the term “graphic novel” and prior to Maus legitimizing the genre to cautious, middlebrow, suburban white people, this anthology stood out like a lighthouse in the storm of Reaganomics, Cold War paranoia, and the tights-and-capes crowd. The ensuing decade has seen these artists become more and more mainstream, which isn’t necessarily a … Continue reading The New Comics Anthology (1991), by Daniel Clowes (editor)

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The Black Doll, by Edward Gorey

“The Black Doll” is a screenplay for a silent movie Edward Gorey wanted to make. The screenplay itself is a wonderful mishmash of McGuffins, archeology, masquerade, and comic dread. Heiresses, thieves, the Fiend, and others try to capture the Black Doll and the PRO (the Priceless Religious Object). The screenplay, like all of Gorey’s work, is set in Gorey-world, a time roughly analogous to Victorian, Edwardian, and Roaring Twenties UK and USA. Gorey is masterful in his use of atmosphere. Also included is Anne Nocenti’s interview with Gorey. Nocenti worked on “Typhoid Mary” a Marvel comic book villain associated with … Continue reading The Black Doll, by Edward Gorey

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Neuromancer by William Gibson

This novel made me fall back in love with science fiction.  Gritty future noir set amidst AI, evil multinationals, and organized crime.  The novel glitters with beautifully written passages, amalgamating techspeak with Japanese, Haitian creole, and back-alley slang.  Sure, it’s been criticized as “surface and gloss,” but what surface, what gloss!  When most speculative fiction writers — including some Grandmasters who will go unnamed — became prolific typists with good ideas, Gibson took a well-worn idea (hard-boiled crime fiction), gave it a spin, and produced a spectacular gem. To top it off, Gibson wrote it on a typewriter — how … Continue reading Neuromancer by William Gibson

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