Neuromancer by William Gibson

This novel made me fall back in love with science fiction.  Gritty future noir set amidst AI, evil multinationals, and organized crime.  The novel glitters with beautifully written passages, amalgamating techspeak with Japanese, Haitian creole, and back-alley slang.  Sure, it’s been criticized as “surface and gloss,” but what surface, what gloss!  When most speculative fiction writers — including some Grandmasters who will go unnamed — became prolific typists with good ideas, Gibson took a well-worn idea (hard-boiled crime fiction), gave it a spin, and produced a spectacular gem. To top it off, Gibson wrote it on a typewriter — how … Continue reading Neuromancer by William Gibson

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Flood by Andrew Vachss

Reads like a cold bullet out of Hell. Taut, razor sharp prose; tough ferocious heroes and even more ferocious villains. Imagine the bastard stepchild of Jim Thompson and Mickey Spillane fighting the good fight on the edge of the socioeconomic abyss. Yet above the bleakness, violence, and viciousness aimed at the weak and defenseless, there’s a glimmer of hope. Burke, the hero of these novels, offers that hope, especially when the law can’t or won’t help those who need it the most. Continue reading Flood by Andrew Vachss

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Dollhouse Riffs: Riff #2: Bodies, Souls, and the Big Bad

“When you will have made him a body without organs, then you will have delivered him from all his automatic reactions and restored him to his true freedom.” Antonin Artaud, “To Have Done with the Judgment of God” (1947) “The Earth is a body without organs. This body without organs is permeated by unformed, unstable matters, by flows in all directions, by free intensities or nomadic singularities, by mad or transitory particles” Gilles Deleuze and Félix Guattari, A Thousand Plateaus (1987) Malcolm Reynolds, Angel, Buffy, Joss, and River In the Whedonverse, there are the Big Damn Heroes and the Big … Continue reading Dollhouse Riffs: Riff #2: Bodies, Souls, and the Big Bad

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Dollhouse Riffs: Riff #1: Dollhouse, the Dollhouse, and “freedom”

How free are those that control Dollhouse, compared to the dolls? Topher and Sierra’s “play date” occurred under the nose of Adele.  Adele, smartly, lets it pass.  Without it, Topher would be driven nuts.  Or is this “play date” used as an opiate, a distraction for Topher.  Is Topher also a doll?  (A theory forwarded by my girlfriend.  I think there is some merit to it.) The play date creates a carnival atmosphere, a great leveling that occurs between the powerful genius and the pliant doll. A similar leveling occurs when Victor is programmed to help Miss Lonelyhearts, in this … Continue reading Dollhouse Riffs: Riff #1: Dollhouse, the Dollhouse, and “freedom”

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