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Mondays with the Supremes, Part II: Matters of Protocol

A limited-run series where I review three books about the Supreme Court of the United States, exploring its historical and ideological conflicts, and the transformations it wrought upon law and society.

Alan Dershowitz: I’m not a hired gun. I’ve got to feel there’s some moral or constitutional issue at stake.
Claus von Bülow: But I’m absolutely innocent, and my civil liberties have been egregiously violated!

Reversal of Fortune (Barbet Schroeder, 1990)

With every opinion handed down, the Supreme Court not only decides important constitutional matters, but their opinions could damage the prestige and mythology so ferociously treasured.  Recent decades have seen the Court adopt a relationship to the other branches of government that remains isolated and insular.  Unlike the media feeding frenzy associated with the President and the Congress, the Supreme Court still forbids TV cameras during oral arguments.  The media ban gives the Court a difference from the other branches, at once aloof and antiquated.

The Court desires to keep their distance from the other branches and to avoid breaches in propriety.  At least that’s what the dominant institutional mythology would have one believe.  Despite the nine justices lacking party affiliation on their nameplates, it is a highly political position.  Many Supreme Court justices came from other branches of government or ascended the judicial hierarchy from lower courts.  Once on the Supreme Court the justices don’t need to worry about re-election, but that only reinforces the new nominee’s potential danger and importance.

The Court didn’t always have this insular relationship.  The day after his nomination to the Supreme Court, Robert Jackson joined FDR’s regular poker games.  In these decades, the relationship between the Court and the Presidency became collegial.  (Except for the explosive conflict of FDR’s “court-packing plan” that turned into a fiasco, the Court and FDR remained on amicable terms.)  Even as late as the Sixties, Supreme Court Justice Abe Fortas regularly advised President Lyndon Johnson.  Forced off the bench because of an investigation into the improper use of his influence, Abe Fortas’s seat left an opening for Nixon to appoint a conservative justice.

During the Forties, Tommy Corcoran, the famous New Dealer and lobbyist, got thrown out of the Supreme Court building for alleged indiscretions.  These involved his lobbying on behalf of his clients to justices like Black and Douglas.  While Douglas and Corcoran had a close friendship, Douglas would not stand for the lobbying.  If actions like Corcoran’s were leaked to the press, Douglas and others might have to recuse themselves from the case.  And if there weren’t enough justices to hear the case, the case would be either dismissed or sent back to the lower courts.

Prior to the Woodward’s and Armstrong’s Brethren, the Supreme Court preserved the façade of the apolitical.  Only two major breaches of Court etiquette occurred prior to the 1979 bestseller.  On the first occasion was in 1937, Hugo Black made a radio address denying he was a bigot but affirming his membership and resignation from the Ku Klux Klan.

The second occasion was in 1946 by Robert Jackson, in a heated pique when he was passed over for the Chief Justice post and his spat with Justice Hugo Black.  Justice Jackson sent public cables to the Congressional Judiciary Committees exposing Justice Black’s potential conflict of interest in a mining case.  Newspapers published the cables that exposed the politicking, bargaining, and ideological grudge matches that took place behind the velvet curtain.  While the Supreme Court is a rare government institution that cultivates intellect and interpretation, there are still countless opportunities for alliance-building and ideological clashes.  The Court may be removed from the cash-hemorrhaging insults to intelligence one endures during regularly scheduled political campaigns, but that doesn’t mean the Court isn’t an ideological battleground every bit as important as a Presidential debate or town hall meeting.

Not the sharpest knife in the drawer.

What drove Justice Potter Stewart to Bob Woodward and Scott Armstrong was Chief Justice Warren Burger’s inept and devious manipulations of Court protocol.  After the Supreme Court grants a writ of certiorari (“granting cert” is the shorthand), the Court then hears oral argument.  Following oral argument, then Court then votes and then writes opinions.  Granting cert means the case has constitutional merit and the potential to overturn precedent.  Once oral argument is heard, the Justices vote and then speak, with the senior Justice in the majority going first.  Cases can have multiple votes and the real action occurs with Justices forming alliances and majority-building, every bit as important and political as that of the legislature.  But the Court acts like a Microscopic Legislature, with each side battling to get the necessary five votes.

Pimpin’ ain’t easy.

(Congress faces a more challenging prospect with 100 Senators, 535 Representatives, numerous interest groups, lobbyists, and other personalities working and undermining each other to craft a legislature best tailored to their own self-interests.  While Congress votes to best please its represented constituency, the Court works for the entire nation.)

Court protocol has the Justice in the majority, not the Chief Justice; assign the opinion to another Justice to write.  Chief Justice Burger’s manipulations attempted to put him in the majority and to write the opinion himself.  Part of this was based on Burger’s desire to create his personal judicial legacy.  Among the clerks of the Court, Burger’s dingbat Machiavellianism had them asking, “Is Burger evil or just stupid?”  In one particular case, Burger voted in the affirmative and in the negative multiple times, simply to get into the majority.  Burger seemed less about “sticking to one’s guns”, ideologically speaking, than acting like an attention hog.  The Brethren excels when it depicts these heated arguments in conference.

During the campaigns of 1940 and 1944, William O. Douglas made no secret of “campaigning from the bench,” writing opinions that would please his liberal-libertarian constituency and also appeal to FDR in the hopes of securing the VP spot.  It wasn’t until the ascent of the Missouri haberdasher and his machine-style political campaigning, that Douglas put his presidential ambitions to rest.

Once the older justices began resigning and he could appoint his New Dealer allies to the bench, FDR possessed the rare privilege of nominating nearly the entire Court.  In most cases, the nomination and appointment went smoothly, unlike the televised ideological litmus tests of today.  But FDR did not always have an effortless time getting his legislation passed.  In the wake of the Pearl Harbor attack and pro-war/anti-Asian hysteria, one case came to the attention of the Court.  The story of that case reveals how the Court refused to muscle under Presidential pressure and reassert its autonomy from the Executive Branch.

Will the Supreme Court support the President or will it show backbone?

CCLaP Fridays: Isaac: a modern fable, by Ivan Goldman

I review Isaac: a modern fable, by Ivan G. Goldman, in which Lenny, really the Isaac from the Bible, works security for a LA movie mogul and meets Ruth, a struggling academic with an equally troubled past. In this telling, the Biblical Isaac was granted eternal life and youth. He witnesses mankind’s foibles across the centuries, so long as he doesn’t fall in love or land in jail, because then they would discover he’s not like other men. To read the entire review click here.

Mondays with the Supremes: Part I: Inside the Secret World of the Supreme Court

From the Onion.

A limited-run series where I review three books about the Supreme Court of the United States, exploring its historical and ideological conflicts, and the transformations it wrought upon law and society.

The Brethren: Inside the Supreme Court, by Bob Woodward and Scott Armstrong (1979)

The Nine: Inside the Secret World of the Supreme Court, by Jeffrey Toobin (2007)

Scorpions: The Battles and Triumphs of FDR’s Great Supreme Court Justices, by Noah Feldman (2010)

I.     INSIDE THE SECRET WORLD OF THE SUPREME COURT

The Supreme Court of the United States is one of several institutions in our country that radiates majesty, secrecy, and opacity.  Like the Central Intelligence Agency and National Security Agency, it is shrouded in secrecy, periodically issuing decisions with great import to the daily lives of American citizens.  It also possess similarities to the Federal Reserve with a group of unelected individuals commanding great power.  Furthermore, Supreme Court Justices, like Federal Reserve Governors, have a tendency to speak in opaque terminology.  Discovering the importance of a Supreme Court decision sometimes involves digging through mountains of legalese and knowledge of the case’s labyrinthine history up the ladder of the US Justice system.

Supreme Court Justices possess a federal position unlike any other.  While Federal Reserve Chairmen must be re-appointed, once one is on the Supreme Court, one is given a lifetime appointment.  It makes it a hotly contested position, coupled with the small number of seats on the Supreme Court (only nine, despite the best efforts of FDR).  Appointed by the President and confirmed by the Senate, the average voter has little direct influence in the process.  In the past, the voter had even less, since US Senators were not elected via direct election.  (The 17th Amendment, passed in 1913, worked to change the deliberative, glacial, and otherwise necrotic institution.)

These three books under review, The Brethren, by Bob Woodward and Scott Armstrong, The Nine, by Jeffrey Toobin, and Scorpions, by Noah Feldman, work to remove the secretive veil that covers the Supreme Court.  Each book attempts to reveal to readers a “secret history.”  (Similar secret histories have included James Bamford’s series of investigative works on the National Security Agency and William Greider’s exploration of the inner workings of the Federal Reserve.  One can also add the vast, albeit dubious, literature associated with secret societies, and the equally vast literature associated with detailing the histories of the world’s numerous intelligence agencies.)

The books refract off each other in fascinating ways.  One can read punctuated biographies of specific justices.  In The Brethren, President Nixon appoints William Rehnquist to the Supreme Court from his previous position in the Justice Department.  The Nine follows his ascent to Chief Justice following his appointment by President Reagan.  Scorpions explores how Rehnquist, working as a clerk for Justice Robert Jackson, wrote a memorandum affirming Plessy v Ferguson’s segregationist policies.  The memorandum would come back to haunt Rehnquist during both confirmation hearings.  Justices Hugo Black and William O. Douglas were both appointed by FDR (as recounted in Scorpions) shuffle off the mortal coin in The Brethren in its detailing of the Court during the Nixon and Ford years.

The Brethren by Bob Woodward and Scott Armstrong was the first expose of the inner workings of the Supreme Court.  The book covers the Supreme Court terms from 1968 to 1975.  Justice Potter Stewart’s dissatisfaction with Chief Justice Warren Burger’s shenanigans prompted the authors to interview justices, clerks, and other personnel working with the highest court.  On the surface, one would assume the book is a tawdry exposé, but in actuality, Woodward and Armstrong wrote a limited-scope institutional investigation, exploring the personalities, protocol, and positioning that made the Supreme Court a uniquely American civic organization.  One reads about the factions, horse-trading, and decision writing.  The intellectual and ideological components that go into the construction of the finalized Supreme Court decision make for fascinating reading.  Instead of wrangling the necessary votes in Congress, one has to contend with only nine votes, or, at minimum, five votes in order to create a judicial majority and possibly overturn legislation.

The Brethren’s major accomplishment involved making the reader see the Supreme Court as simply another American civic institution.  The Court is an institution with its rivalries and it reaches decisions every bit as partisan and shady as those made in Congress or the Oval Office.  Woodward and Armstrong helped de-mythologize an institution deadly serious about preserving its autonomy, prestige, and authority, even if that involves wrapping itself in quasi-religious pomp and circumstance.

If one deigns to call him or herself an “informed voter,” it helps to know what our alleged representatives are doing, especially at the highest echelons of power, and how the power structure operates.  Responsible citizenship involves more than parroting back empty slogans befitting a bumper sticker and preening about with an “I Voted” sticker like you just won the Congressional Medal of Honor.  The fact that voters cannot elect Supreme Court justices should prompt more people to read books relating the zenith of the Judicial Branch.

CCCP@CCLaP

Today at CCLaP, I review Taschen’s acclaimed Cosmic Communist Constructions Photographed by Frederic Chaubin. The book explores Soviet architecture from the late ’60s to the early ’90s, showing an uncharacteristic exuberance and ethnic individualism not usually associated with the stereotypical Soviet architecture.

Robertson’s Book of Firsts: Who did what for the first time, by Patrick Robertson

The first coins, the first hamburger, the first military motor vehicle.  These are but a sampling of Robertson’s Book of Firsts.  Researched and compiled by Patrick Robertson as a culmination of a lifelong passion, the book aims to chronicle not invention, but innovation.  This means a look at social and technological development and some surprising entries.  Robertson approaches this collection of firsts from a unique position.  A former government employee and a former chairman of the Ephemera Society, he also owns the largest private collection of vintage magazines in Britain.  Firsts are ephemeral, since once a first is achieved, social and technological change will prompt more firsts to occur.  Just look at the developments of the cell phone and the demographic make-up of the United States Supreme Court.

The alphabetically arranged articles vary in length.  For example, the article on blood transfusion covers nearly two full pages.  To break it down, there is the first blood transfusion done on June 12, 1667 by Jean-Baptiste Denys, the personal physician to Louis XIV, for “a boy of fifteen suffering from a severe fever.”  The first U.S. blood transfusion took place in 1795 by Dr. Philip Physick.  The first panel of blood donors occurred in 1921, being four volunteers “from the Camberwell Division of the London Branch of the British Red Cross Society.”  The Red Cross established the first blood donor panel in the United States in August 1937 in Augusta, Georgia.  In 1931 the first blood bank was established by Prof. Sergei Yudin “at the Sklifosovsky Institute, Moscow’s central emergency service hospital,” but Bernard Fantus “coined the term” in 1937 for Cook County Hospital’s centralized blood storage depot.  Finally, the first pre-natal blood transfusion was performed by Prof. George Green and Sir William Liley in Auckland, New Zealand on September 20, 1963.

The Book of Firsts is chock-full of such information.  The first antique automobile movement happened on July 12, 1925, celebrating the 25th anniversary of the Allgemeiner Schnaufer-Club (“Tin Lizzy Club”) in Munich, Germany.  The year 1623 saw the first publication of a hymn book containing original matter by George Wither, although the first hymn book in a vernacular tongue was “published in Prague by Severin for the Hussites of Bohemia on 13 January 1501.”  The first naval vessels to be equipped with radio-telephone apparatus were the USS Virginia and the USS Connecticut in 1907.  The lists go on and on, from the first legal abortion to the first women’s track and field events.

Whether reading a single entry with all developments chronicled or searching for a specific “first,” The Book of Firsts will captivate and infuriate readers.  Expect to have your pre-conceptions about certain “firsts” refuted.  As with any book of this kind, it is subject to the winds of change.  The entry on gay marriage has quickly become obsolete, the last sub-entry on U.S. gay marriage ending with the passage of Proposition 8.  But that is hardly a demerit in terms of the sheer wealth of information and entertaining factoids one can harvest from this book, whether casually browsing the pages or capturing a “first” for research purposes.  This is a good book to have on the bookshelf next to the dictionary, thesaurus, Schott’s Miscellany, and the Meaning of Tingo.

 

CCLaP Fridays: On Being Human: An Introduction

My introductory essay to my themed essay series, “On Being Human” has been posted at CCLaP.

Introducing CCLaP Fridays

I’m proud to a new feature, CCLaP Fridays.  I recently became involved as a writer for the Chicago Center for Literature and Photography.  Every other Friday I will post on their website, alternating between general book reviews and themed reviews.

The general reviews will focus on fiction and non-fiction books published in the last 24 months.  My themed reviews focus on the question, “What does it mean to be human?”  I will be looking at attempts to answer that question through books, TV shows, movies, and role-playing games.  Everything from Warhammer 40K’s Space Marines, Iain Banks’s Culture, Samuel Beckett’s Trilogy, and a Jim Thompson hard-boiled novel will be analyzed.  (This will dovetail nicely into my more in-depth analyses of Warhammer 40K and Battlestar Galactica/Caprica on Coffee is for Closers.)

It will be a unique privilege to write for CCLaP, since I’ve been an avid reader of their reviews and essays for years.

As always, I will post notifications on this blog to let you know when my reviews and essays appear.

Shadows Walking, by Douglas R. Skopp

“To them, you’re just a freak, like me! They need you right now, but when they don’t, they’ll cast you out, like a leper! You see, their morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. I’ll show you. When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.” – The Joker, The Dark Knight (2008)

Taking its title from a passage in Macbeth, Shadows Walking takes the reader into the nightmarish descent of modern German history.  Skopp traces the lives of two men – Johann Brenner, an ardent nationalist, and Philipp Stein, a Jew – throughout their military and medical careers.  Brenner and Stein endure the hardships of the First World War and the economic uncertainties of the Weimar Republic.  The rise of the Nazis causes their friendship to fracture.

The novel begins in the postapocalyptic wasteland of Nuremburg with Brenner, under an alias, working as a janitor in the Palace of Justice.  The Doctors’ Trial is beginning and Brenner listens to the horrific testimony of a victim.  The testimony concerns castrations done by SS doctors at concentration camps.  With the starvation, destruction, and desperation outside, the witness’s testimony hits the reader like a vicious sternum punch.  The graphic descriptions bring home the horrors of the Holocaust.

Even amidst the hellish experience of the Holocaust, the medical experiments performed by Mengele and his associates stands unique in its horror and obscenity.  The novel achieves brilliance in its accretion of details and experiences in the lives of the two main characters.  The common question is: How could Germany, which has such a rich tradition of arts, sciences, and philosophy, create such a barbaric and evil regime?  Skopp tries to answer that question through indirection and burying himself in the minds of Brenner and Stein.  The two are seen as “ordinary” Germans, not as famous political and historical figures.  Through the years, we see both enduring “death by inches”, to use another phrase from Shakespeare.  Compromise, desperation, and stubbornness contribute to the choices they make.

The book has passages, illuminating the inner thoughts of Brenner and Stein that lend the narrative a haunting plausibility.  The anthropomorphizing of German Culture in philosophical discourse combined with the medicalization of this discourse to create the idea that Germany, following the First World War, is sick and corrupt.  Philipp Stein sees the remedy in positive eugenics, although he slowly backs off the idea when he sees it done in everyday practice.  Johann Brenner also sees a eugenics-based solution, but resentment, economic desperation, and death push him towards the National Socialists.  Brenner isn’t one to question authority figures and his personal circumstances lead him to find a scapegoat for his (and the nation’s) problems.

Skopp’s self-published novel weaves a Balzackian tale that perfectly captures the ideas and lives of a specific time and place.  Skopp’s background as a history professor merges with his desire to tell a compelling story.  He also creates a historically authentic narrative that forces the reader to question the validity of his or her beliefs, yet, at the same time, not doing it in a manner that comes across as preachy or heavy-handed.  The novel aims to explore the questions we must face with the deeds perpetrated by the Third Reich, but it has the audacity to point back at the reader.  In the dark corners of our being, although we usually don’t admit as such, either to each other or to ourselves, we are capable of perpetrating criminal atrocities against each other.  Like a boiling frog, we don’t always realize the rationalizations and self-justifications we construct to distance ourselves from actions of criminality and evil.  Shadows Walking illustrates we only need a little push and we will devour each other.

An Interview with Marc Schuster

What inspired you to write The Singular Exploits of Wonder Mom and Super Girl?

I was working on a paper in graduate school when I started reading a pair of books called The Steel Drug and Cocaine Changes. As the titles suggest, they were about cocaine, and they included case studies of people who had used and abused cocaine. Some of them were very compelling, but due to the nature of the books, the stories were also very fragmentary. With The Singular Exploits of Wonder Mom and Party Girl I wanted to flesh out some of the details in a fictionalized forum, to try to come up with a more fully imagined version of the scraps I had read and started to piece together.

Tell us about your blog, Small Press Reviews, and the appeal of reviewing the works of small presses.

I started Small Press Reviews in November of 2007 after sitting in on a discussion of small presses at a local writers’ conference. One of the speakers was an author named Curtis Smith. I bought his book The Species Crown and loved it. Between his talk and the book, I was sold on small presses. Part of the appeal is that I feel like small press readers and writers share a strong sense of community. I had lunch with a small press author named Christian TeBordo a few weeks ago, and though we’d never really met before—aside from running into each other once or twice when we both taught at Temple University—we found that we shared a common language, so to speak, as we dropped names of small presses we really admire like Featherproof and Atticus Books, as well as small press books we both enjoyed like The Universe in Miniature in Miniature by Patrick Somerville. Being part of the small press scene is a little bit like belonging to an exclusive club, but one that’s—ironically, I guess—open to anyone who’s interested in joining. All you need to do is read a few books and join the conversation.

What’s the premise of Don DeLillo, Jean Baudrillard, and the Consumer Conundrum? What is the “Consumer Conundrum” and how is it reflected in the works of DeLillo, an American novelist, and Baudrillard, a French social theorist?

The book basically looks at the problem of consumerism in the western world. Early in his career, Jean Baudrillard wrote a book called The System of Objects in which he argued that humans have surrounded themselves with commodities which no longer serve any real purpose other than to signal status. This observation in itself is nothing new, but Baudrillard’s argument was that by surrounding ourselves with objects, we’ve taken on the status of objects ourselves—that our sense of self-worth is bound up in the constellations of objects we arrange around ourselves as signs of value. This is a bit of an oversimplification of his argument, but the conundrum I talk about in the book is that of figuring out how to overcome the inertia of commodification, how to stop being objects and, instead, become subjects, become human again. Baudrillard offered a lot of commentary on this predicament over the course of his career and eventually decided that it really couldn’t be done. Don DeLillo, on the other hand offers a more hopeful view of our species’ potential to regain its humanity—through art, though language, through doubting the logic of accumulation that surrounds us. It’s been a long time since I wrote that book. I’m a little fuzzy on the details.

Is there a link between capitalism’s need for gain (profits, acquisition, expansion, accumulation) and an addict’s need for increased dosages just “to maintain”?  (“Wonder Mom” seemed to touch on this indirectly, albeit from the perspective of a Drug Morality Tale.  Audrey’s inevitable crash late in the novel and the global economic cataclysm aren’t too dissimilar.  Or am I reading too much into it?)

No, you’re not reading too much into at all! In fact, a part of me always hoped that readers would draw a similar parallel. Look at the publishing industry, for example. John B. Thompson wrote a book a couple of years ago called Merchants of Culture, and in it he talks about the publishing industry’s need to make 10% more money in any given year than they did in the previous year. That’s why you always see a glut of crappy, gimmicky books just before the holiday season. The publishers are gambling that people who don’t generally read might buy these books as gifts, that they’ll be good for a laugh or will look good on a shelf in someone’s house somewhere. Yet another reason, I suppose, to favor small presses over big conglomerates. The same thing, as you note, happens to Audrey as she continues to fall deeper and deeper into her addiction. She’s hollowing out her soul as she strives for that extra 10% that will help her keep her head above water, at least until she needs her next hit. I always had consumerism in mind when I was working on that book.

Between your novels, your blog, and your teaching, what’s your work schedule like?  Do you ever feel like one area is being neglected while you tend to another?

Hah! Yes! All the time! I teach five courses with an average enrollment of about twenty students each. On any given weekend, I’m grading between forty and sixty papers. I love teaching, but that much grading really takes a toll. Needless to say, I don’t get much time for writing during the school year, but I do try to squeeze it in here and there. On one hand, I wish I had more time to write, but I also wouldn’t want to give up teaching. Not just because of the steady paycheck and benefits, but because I really feel like I come alive in front of a classroom—sharing ideas with students, helping them learn to express their ideas and participate in the wider dialogue not just of academia but of culture at large. Even so, I frequently wish I had more time to write. And blogging? I liken it to punk rock. When I’m working on a novel or an essay or a short story, I’m obsessing over craft and getting the content and form of the piece just right, like Brian Wilson taking months to record “Good Vibrations.” But with blogging, it’s more like the Ramones recording their first album in a day. Get it done, and get it out there. Share it with the world, warts and all.

What projects are you working on these days?

My second novel comes out in May. It’s called The Grievers. I should be getting galley copies this week, so I’ll be proofreading and making notes for any minor changes I want to make before it goes to print. Otherwise, I’m mainly gathering scraps in a notebook and hoping they eventually coalesce into something somewhere down the line.

Who are your favorite authors (novelists and/or academics)?

I like anyone who bridges the gap between “ivory tower” academic discourse and a more down to earth yet intelligent public discourse. There’s a lot in the news lately about the hollowing out of the middle class. I think there’s also been a gutting of the ability to have an intelligent conversation in the United States. At one end, there are academics who speak and write in impenetrable and, frankly, boring prose, and at the other end there’s the bombast and vitriol of the shouting heads on TV and radio, not to mention the histrionics of anyone involved in reality TV. It’s tough for regular people like you and me to have a thoughtful, intelligent, public conversation about the arts or culture or even politics anymore, but it is possible. Authors like Jonathan Lethem and Steve Almond do it in their nonfiction, and a lot of bloggers are doing it, too. Anyone who raises the bar on public discourse is okay in my book.

But if you’re looking for names, I love pretty much everything by Kurt Vonnegut. I was also on a George Saunders kick for a while, hot on the heels of a Chuck Palahniuk kick, a Neil Gaiman kick, and my perennial Philip K. Dick kick. Over the summer, I read Chistopher Moore’s Fool and told all of my friends to read it. More recently, I’ve been reading a lot of short stories. Robin Black’s If I Loved You, I Would Tell You This is amazing, and I really enjoyed Steve Almond’s God Bless America. I also liked Don DeLillo’s The Angel Esmerelda. If I’m not teaching or writing, I’m reading.

Republic of Words: the Atlantic Monthly and Its Writers, 1857 – 1925, by Susan Goodman

The history of the Atlantic Monthly is also the history of America.  Susan Goodman’s Republic of Words: the Atlantic Monthly and Its Writers, 1857 – 1925, traces the intellectual and editorial history of the magazine.  Conceived by luminaries including Oliver Wendell Holmes, Jr., Harriet Beecher Stowe, Ralph Waldo Emerson, John Greenleaf Whittier, and James Russell Lowell, the Atlantic began with an adamant pro-Union perspective.  Lowell, the first editor, brought together numerous contributors associated with the Abolition and Transcendentalist movements.

Goodman excels at bringing American history to life, charting the course of the magazine and the nation through the Civil War, Reconstruction, the Gilded Age, and the First World War.  Throughout the book a cavalcade of the famous passes before the reader.  These include novelists, humorists, poets, environmentalists, journalists, and philosophers.  With biographies of Edith Wharton (an Atlantic contributor) and William Dean Howells (an Atlantic editor), Goodman has a firm grasp on her subject matter.  The history of America proceeds either in lock step or in counterpoint with the history of the Atlantic Monthly.  The magazine undergoes periodic transformations with each successive editor.  As an example, Howells slowly changed the perspective of the Atlantic from a more East Coast, Boston-area, Harvard-educated milieu to one that looked westward.

The book ends in the Roaring Twenties, the Atlantic battered but enduring in its commitment to act as a purveyor of culture.  Two insurgent forces threatened its mission of mass appeal, the Crisis, the militant African-American magazine helmed by W.E.B. du Bois and the elitist New Yorker.

A final note, Republic of Words sports a playful cover by the artist Jonathan Wolstenholme.  Wolstenholme’s book-centric illustrations, like Republic of Words, will delight anyone with a passion for literature and American history.